The Choir

The Choir
The choir is an integral part of the worship at Saint Chad’s, and leads the worship at the three principal weekly services. The choir prides itself on its high standards, and its expertise in singing plainsong and early music. The repertoire ranges from mediaeval carols and motets through to 21stcentury works, including music from the Orthodox and Roman rites.

There are approximately twelve singers in the choir. Whilst female voices are used for the soprano line, male countertenors supply the alto part. Thus when required, a three part choir of male voices can be employed.

New members are always welcome. There is no formal audition, and prospective singers are asked to attend choir practice at 7.30 on Thursday evenings (entry via the vestry door in St. Chad’s Place). A separate rehearsal for Saturday Evensong is held before the service at 3.30 p.m.

Sung Matins

Prayer Book Matins is sung in the choir at 10 a.m. each Sunday. Choir and congregation sit together in the choir stalls, and the service is sung to chants in four parts. Saint Chad’s is one of few churches to maintain the singing of Matins.


Sung Eucharist

The Eucharist, in traditional language, is sung by the full choir at 11 a.m. on Sundays and at 7.30 p.m. on Holydays. The propers (Introit, Gradual, Alleluia, Offertory and Communion) are sung to plainsong. The ordinary of the Mass (Kyrie, Gloria, Creed, Sanctus and Agnus Dei) are sung using one of six settings, all of which are chosen to allow full participation by the congregation. There are four hymns and a psalm, and the choir sings a motet during communion.


Choral Evensong

On Saturday, the 28thof March 2009, Saint Chad’s held an open day, and the choir was asked to sing Choral Evensong. Following the success of that service, several choristers suggested that we sing Evensong every week.

Prayer Book Evensong is now sung every Saturday at 4.30 p.m., (except the Saturdays after Easter Day and Christmas Day). The service is ‘cathedral-style’, starting with ‘O Lord, open thou our lips’ and ending with the five prayers after the anthem. The responses and the canticles are sung to a wide range of settings from the sixteenth century to the latter part of the twentieth century. Some Evensongs are sung using men’s voices only, and from time to time the First Prayer Book of Edward V1 (1549) is used for these services.

Please see the Music List for details.